Presents


Keli Classical Rhythm Festival 2013


(Exploring the purity of Tradition featuring Maestros)

10,11,12 January 2013

Dear Art Lovers,

The year long celebrations devised by Keli to mark its 20th anniversary now enters the final stage. The celebration took off with a 3 day Children’s rhythm festival featuring around 100 prodigies. Second phase was a festival of Thayambaka exploring its vanishing and rare traditions lead by the young Thayambaka exponent Panamanna Sasi. This festival will present 3 percussion ensembles of Kerala and it is an exploration of the purity of aural art tradition

Keli will feature some of the most outstanding artists of our time. Senior maestro in Thayambaka Kalloor Ramankutty Marar, Melam maestro Padmasree Peruvanam Kuttan Marar and the Panchavadyam maestro Annamanada Parameswara Marar will lead the festival.

Kalloor Ramankutty Marar and his group will present the Palakkad style of Thayambaka with the purest form of Adantha Kooru . Padmasree Kuttan Marar and his 80 members team will present the unique Pandi Melam, in the purest style performed in the path way of Peruvanam village in Kerala, which still holds the best of ancient and traditional percussion ensembles in a single night of the 1430 years old traditional festival. Annamanada Paramesvara Marar and his team will present the ancient style of Panchavadyam, traditionally known as the Annamanada style.

We have great pleasure in inviting you to take part in this festival to enjoy the experience of rhythm.

K. Subhaschandran
Artistic Director & Project Co- ordinator

Ramachandran. K
Festival Director
Cell: +919820835737
ramk.keli@gmail.com

KELI. 201, Baba Niwas, Plot No. 74,
Sector 19, Nerul, Navi Mumbai 400706
www: keliindia.org



Day 1


Thursday, 10th January 2013
at Y.B. Chavan Centre, Mumbai at 6.45 pm


Inagural Function


Dedication:
Dedicating the festival toward the memory of late Gurus Pallavoor Kunjukutta Marar, Chakkamkulam Appu Marar and Annamanada Peethambara Marar.

Felicitation:
Presenting the promising artist of the year award to Kombath Anil and Kalloor Unnikrishnan
Presenting the silver conch to Peruvanam Ramkumar, Peruvanam Gopalakrishnan, Peruvanam Krishnakumar
Presenting the Golden Conch to Kalloor Ramankutty Marar and Annamanada Parameswara Marar.
Presenting Silver Conches to Guru Anirudhan and Guru Thampi Payyappilly
Presenting the Golden Brooch and the title ‘’Mela Soorya’’ to ,Peruvanam Kuttan Marar

Thayambaka

by Kalloor Ramankutty Marar and Group



Thayambaka is an intricate and aesthetically formulated rhythm work. It is believed to have flourished during the 1900s, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. Thayambaka allows maximum individual freedom to the main player to improvise and innovate to showcase his grip of rhythm, finesse of techniques and intellectual brilliance. Kalloor Ramankuttu Marar will present the traditional Palakkdu style of Thayambaka. The Palakkad style is more musical and it revels in imagination.

Day 2


Friday, 11th January 2013
at Horniman Circle Garden, Mumbai at 7.30 pm


Pandi Melam

by Padmasree Peruvanam Kuttan Marar and group



Pandi Melam is one of the major forms of chenda melam. Comprising of instruments like chenda, ilathalam, kombu and kuzhal, Pandi melam is capable of creating a fascinating sound environment,rhythmic patterns and percussive accents unique to the world. Pandi melam is basically a 7 beat ensemble.The ensemble starts with a slow tempo, gradually increases the pace and later enters into a fast and vigorous finale exciting the listeners, transforming them into a higher level of ecstasy.

Day 3


Saturday, 12th January 2013
at Horniman Circle Garden, Mumbai at 7.30 pm and 9 pm (2 Shows)


Panchavadyam

by Annamanada Parameswara Marar and group



Panchavadyam is an orchestra of five instruments Thimila, Maddalam, Ilathalam, Idakka and Kombu. Much like other percussion ensembles, panchavadyam too is characterised by a pyramid-like rhythmic structure—with a constantly increasing tempo coupled with a proportional decrease in the number of beats in cycles. Most importantly Panchavadyam, permits a lot of personal improvisation while filling up the rhythmic beats on the timila, maddalam and idakka.

Tradition is a many Splendored multi dimentional source of strength, substance and pride not only to artists but also to the people, nations and the societes. It cannot be identified with or restricted to a time frame, an era of regime. It is a time-continuam. It involves the hostrociaal sense which means a perception not only to the vastnessof the past, but of its immediate presenceas well. It is thiss insight which inspires Keli to explore the strengthof the unique aural art tradition of Kerala.


Our Sincere Thanks to:


Ministry of Culture Govt of India, Sanjna Kapoor, Prithvi Theatre, Junoon, Y B Chavan Centre, Horniman Circle Garden Trust, Suheta Dalal, E.M. Reddy, Venugopal, Aftab, K.J.Verma, Ajith Menon, Sasidharan, Dr. Venu, Sreekumar Kaimal, Sashikumar V, Vikram Barwal, Radhakrishnan, Satheesh Kannan, Ssree Narayana Mandira Samithi, Sree Sastha Caterers, Vishnu Namboodiri, Vijayakumar, Indu Sagar, All Media, All Artists.

Supported by:







Glimpses from Festival